You’ll be forgiven if you’ve not heard of An American Carol, David Zucker’s follow-up to Scary Movie 3 and Scary Movie 4, set to precede Scary Movie 5 (seriously, there are five of those fucking things). There’s no trailer, and the movie doesn’t even have an official web page. But, oh, you’re missing out on some surefire train wreck gold if you haven’t been keeping up with the project.

An American Carol is basically a Scary Movie-style spoof of American liberal politics, starring every famous conservative entertainer. Which is pretty much just, um, Kelsey Grammar, Jon Voight, James Woods, and Dennis Hopper. Oh, and Kevin Sorbo. Clint Eastwood, apparently, still wanted to be able to look himself in the mirror afterwards. The cast is rounded out with conservative commentators and country music stars like Bill O’Reilly and Trace Adkins. And basically they seem to have just made a movie where they all run around saying liberals are stupid! for an hour and a half. We’ll see how that turns out for them.

The movie stars Chris Farley’s little brother (Larry the Cable Guy was busy, seriously, not a joke) as “Michael Malone”, a hefty anti-American documentary filmmaker out to ban the pledge of allegiance, with the help of the dastardly movealong.org. He gets visited by the ghosts of George Washington (Jon Voight), John F Kennedy (some soap star named Chriss Anglin), and General Patton (totally Kelsey Grammar, I’m not even kidding), and they show him the error of his ways. Hence the “Carol” part of the title, I guess. Michael Moore is Scrooge.

See, it’s clever because the names are almost the same as the people they’re parodying, so you don’t have to waste time that could otherwise be spent rollicking in the funny trying to figure out exactly who each of their targets is supposed to be. They’re doing the work for you! Also, Michael Malone lets out a roaring fart within ten minutes of the film opening or I will paypal you £100.

Apparently a writer for The Weekly Standard went out to the set to rally the troops for their Hollywood Takes On The Left cover story. I will no ruin some of the film’s jokes, because it’s surely going to be funnier to read about them than to actually watch. Um, spoilers, I guess.

Dennis Hopper makes an appearance as a judge who defends his courthouse by gunning down ACLU lawyers trying to take down the Ten Commandments.
Because apparently his copy of the Ten Commandments was missing thou shall not kill, or something. See, it’s funny because it’s stupid to have to win arguments when you have guns!

David Alan Grier plays a slave in a scene designed to show Malone what might have happened if the United States had not fought the Civil War. As Patton explains to a dumbfounded Malone that the plantation they are visiting is his own, Grier thanks the documentarian for being such a humane owner. As they leave, another slave, played by Gary Coleman, finishes polishing a car and yells “Hey, Barack!” before tossing the sponge to someone off-camera.
Wait, this movie has Gary Coleman in it? Playing a slave? And Obama jokes? I take it back, this does sound edgy and hilarious. I like to hope that the scene ends with Chuck Norris kicking Barack’s head off.

In the film, a rotund comedian named Rosie O’Connell makes an appearance on The O’Reilly Factor to promote her documentary, The Truth About Radical Christians. O’Reilly shows a clip, which opens with a pair of priests walking through an airport–as seen from pre-hijacking surveillance video–before boarding the airplane. Once onboard, they storm the cockpit using crucifixes as their weapon of choice. Get it, because Christians would never do anything violent. All those abortion doctors just blew up spontaneously.

And finally, if you were wondering the philosophy governing Zucker’s entire career, it’s summed up succinctly in the article:

“Why be original?” Zucker asks. “I’ve done that. It doesn’t work, like BASEketball.”

I’m sure this’ll be a gem. Watch for a huge push from nuttier conservative groups to drive it to the top of the weekend box office, so they can prove that America really loves this stuff, and then for it to flop harder than Battlefield: Earth. At which point they’ll blame the puny man-animal liberals for stifling their expression.

(cross-posted to mightygodking.com)